Some might claim it actually happened earlier. After all, Canada has bona-fide Nazis in key governmental positions, just as in the Ukraine, the Ukraine diaspora in Canada is the largest in the world, with a great many of them openly professing Nazi ideology, their high-rolling Chrystia Freeland is a proud direct descendant of some of the grimmest-ever Bandera Nazis, and they did their best to destroy the world's leading classical pianist, Valentina Lisitsa, not because she came out in direct opposition to them, but because, perhaps because of her parentage, one parent being Russian and the other being Ukrainian, she just wanted them to stop all that useless fighting, aware as she was that the great majority of Ukrainians and the overwhelming majority of Russians do not find they have a bone to pick, not at all. So yes, the signs were already there.
But to think that totalitarian Nazism, as at least a school of destructive thought, had reached and spread to such an extent throughout their government, and found itself embodied in the supposed son of their famous statesman Pierre Trudeau: that was a bit much to stomach.
And yet that's what Canadians - and the world - were to learn when the Freedom Convoy began rolling into the nation's capital.
Trudeau was more ready for this than anyone imagined: he had his own staff of IO engineers ready to start manipulating public opinion and sentiments.
Although many of us did understand what was going on, many did not. The Trudeau brand of totalitarian Nazism, openly inspired by the earlier Ukrainian Bandera variant, took hold of the country and remains in place to this day.
This is part two of the story of the Trucker Convoy, a production by the “Chronicle Bros”. The Chronicle Bros are actually not brothers, and actually a lot more than brothers. Theirs is a sophisticated movie and media team. Andrew Peloso and Jeremy Regoto are the film directors up front, and they are not brothers. Assisting them are executive producer Maria Boerefyn, producer Reilly Gill, photographer and narrator Carrera Banman, photographer Maria Abramov, researcher Madelaine Carruthers, sound-man and composer Joel Fraser, and cutting room wizard Matt Robar. So not just brothers, but still and all a big (happy) family.
This film is 46 minutes long. Settle back. You're going to relive some of the trauma of the Covid years, and from a particularly Canadian perspective.
From the outset there’s one thing you must understand: The cure for Covid, known since 2018 as per leaked documents from EcoHealth and DARPA, is Ivermectin. Ivermectin is also effective against so-called “Long Covid”, as well as being an important safeguard against the very serious issues that can affect the approximately 1.5% of those unfortunate enough to have been hoodwinked into taking that very toxic and oftentimes lethal jab.
The cure was always out there and was already known.
And, actually, there's another thing. Namely that Omicron is in effect the long-awaited end of the Covid pandemic. When convening with all the other greats and Senator Ron Johnson early this year after the first Defeat the Mandates rally in Washington, super-cool Idaho medical genius Ryan Cole suggested they all regard Omicron as the “funny uncle”. Omicron was wildly contagious, outright replaced rather than coexisted with other Covid strains, for most is no worse than a common cold, yet miraculously awarded people full natural immunity against any and all strains of Covid. In an unguarded moment, Mr Windows himself, Bill Gates, admitted that Omicron worked better than his blasted Pfizer vaccines.
Equipped with this knowledge, which cannot have escaped those in power, one begins to understand the horror of continuing with vaccinations. What people needed most of all was the natural immunity that Omicron could give them - and yet the hyper-expensive and highly toxic vaccines were preventing people from acquiring that natural immunity. In effect - no, in cold and stark reality - the governments forcing people into these medieval situations were preventing people from getting well again. Some people might regard such actions as attempted manslaughter. You be the judge.
Now watch this chilling film and ask yourself “why” - why a nation, why all those nations, would so inflict this misery, suffering, and death, on their own people.
We don't have the answers. But we have the questions and we'll continue to ask them.
“At the time of release, the film's producers have experienced hesitancy and a number of cancellations from theatre venues for screening this film.”
So know that fascism and totalitarianism do not exist solely from the top, but can invade and infect us all, much like the Covid pandemic.
Good viewing!